
I glance at the certificate and freeze. The summit date is wrong. They have missed it by a day. Siraji assures me that it happens all the time. “No matter,” he says calmly. “You don’t worry.”
The drive to Marangu Gate is of importance. It is a clear day too, which bodes well for our first day of climb. I look at the town scrubbed clean from the last night’s rain.
The drive to Materuni is all uphill. The scenery is beautiful, full of green trees, bananas, cassava, taro and many other vegetable varieties
It is past 1 p.m., local time. I breathe in Africa. It smells of Mother Earth. I press my feet to the ground and look up at an overcast sky and inhale again
It is the twelfth day of December, the mention of which has no particular relevance to what goes on in my mind, but I mention it because it is odd that such a thought should, after all, pop into my mind so early in the a.m.
I was in Labuan Bajo following a whim. I wanted to see the Komodo Dragons. It was the year of 2008 and I mention it for no particular reason.
My imagination of Indonesia had been of long empty stretches of road, coffee estates, beaches and small, dark people carrying wicker baskets, but now that it had undergone rude and sudden change, amending plans was required.
The 1957 Oscar for David Lean’s The Bridge on River Kwai, catapulted the hitherto unknown remnant of WW II into limelight. Since then The Bridge has become the soul of Kanchanaburi in Thailand’s western region.
At the Wat Phra Mahathat in Ayutthaya and staring at the Buddha head-in- the-bodhi tree, I wondered how anyone had achieved such a feat. And why?